The Italian newspaper Il Sole 24 Ore reviewed the exhibition Critical Minerals at Mudec in Milan.

I enjoyed attending the National Geographic Festival in Milan, whose theme this year was “Capitale Naturale” (Natural Capital)…

Exploitation of Natural Resources 02

This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of our long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the books reproduced here with a short caption, reading Davide Monteleone’s text, looking at his photographs, as well as Marco D’Anna’s disturbing shots featured at the beginning and end of this publication, the viewer will get a much clearer idea of the many problems and risks associated with the exploitation of oil and gas.

On the occasion of the 2023 edition of Photo London I will exhibit the first edition of “100 River Ob” at the stand of the Valeria Bella Gallery.

On the occasion of the review 'Photobooks | Dialogues on books and images' curated by Giulia Viale, I will present the book “Sinomocene” at the Palazzo Ducale in Genoa together with Matteo Macor.

“The landscapes in Davide Monteleone’s images of China’s belt and road initiative are very familiar to me. We can see desert, uninhabited wasteland and views along the Yangtze River and in north-west China. There are also photographs showing the characters “Stay strong, Wuhan!” on skyscrapers in neon lights.

They are reminiscent of images I took in China, which captured dilapidated cities before they were rebuilt; energy plants; the development of impoverished areas and large-scale architecture. […]

Monteleone’s photographs are broad in scope and encompass many stories and strange landscapes. The Italian photographer began his project in Russia in 2014 before visiting vast rail and road projects across Asia; container ports; factories; casinos; and the Grand Renaissance dam in Ethiopia. The images clearly depict China’s strategic ambitions, very different from the original Silk Road, which operated from around 130BC until the mid-15th century. The Silk Road was a network of trade routes, whereas the belt and road initiative embeds a political ambition beyond commerce. The issue in question here is: who will be the centre of the world? Who will rise to world power?”

Ai Weiwei

“The landscapes in Davide Monteleone’s images of China’s belt and road initiative are very familiar to me. We can see desert, uninhabited wasteland and views along the Yangtze River and in north-west China. There are also photographs showing the characters “Stay strong, Wuhan!” on skyscrapers in neon lights.

They are reminiscent of images I took in China, which captured dilapidated cities before they were rebuilt; energy plants; the development of impoverished areas and large-scale architecture. […]

Monteleone’s photographs are broad in scope and encompass many stories and strange landscapes. The Italian photographer began his project in Russia in 2014 before visiting vast rail and road projects across Asia; container ports; factories; casinos; and the Grand Renaissance dam in Ethiopia. The images clearly depict China’s strategic ambitions, very different from the original Silk Road, which operated from around 130BC until the mid-15th century. The Silk Road was a network of trade routes, whereas the belt and road initiative embeds a political ambition beyond commerce. The issue in question here is: who will be the centre of the world? Who will rise to world power?”

Ai Weiwei

“While there has been concern raised in the West, recently, regarding a possible end of Globalization as we know it, Davide Monteleone’s long-term project investigates the immense efforts by China to reshape the global movement of goods, services and capital by an infrastructure initiative known as “Belt and Road” or “New Silk Road”, and by doing so tilt the geopolitical balance towards the East. However, there is a certain break between the economic and geopolitical processes at work and how they are manifested in the real world. Much of it remains simply invisible or is too all-encompassing to be pictured, which poses a challenge to an artist working in photography and interested in presenting us with more than the facts. But Monteleone finds intriguing images that back up his extensive research and rich data that informs his stunning photographs.”

"Sinomocene" is a data-driven investigation that takes its cue from the documentation of the Chinese initiative known as "Belt and Road" to investigate more widely on issues of new forms of colonialism, globalisation and relation between Powers and individuals. The work focuses on the social and environmental impact of large movements of money capital linked to geopolitical strategies at the global and local levels. Announced by Chinese President Xi Jinping in 2013, BRI is a 1 trillion USD investment to lay the foundations for long-term economic growth across developing economies.

The book, published by Artphilein Editions is the result of 8 years of work and contains texts by Ai Weiwei, Viraj Parikh, Miriam Zlobinski.

it will be available by the end of August.

After a year of absence, MIA Fair return to Milan between 7-10 October 2021. I will take part in the fair in two galleries this time.

I’m excited to launch a limited selection of posters that will be available for a limited time and in an edition of 100 on my website and other online platforms. I’d be really grateful if you would help me to discover which are your favorite images and the first 3 posters that should be made available.

As one of the shortlisted artists for Leica Oskar Barnack Award 2020, I have been invited to the group show “People and Place: Leica Oskar Barnack Award 40th Anniversary”, to be held soon at Shanghai Center of Photography.
A selection of images from my ongoing project, Sinomocene, will be on show from November 28, 2020

The ”Sinomocene” project, already supported by National Geographic Society, is selected among the finalists for the prestigious Leica Oskar Barnack Award (LOBA) 2020.

“In his “Sinomocene” series, the Italian photographer (born 1974) explores the impact produced by the Belt and Road Initiative (BRI), which reflects China’s growing presence around the globe. Spanning four continents, the project is documented photographically on location in - among other places - Ethiopia, Djibouti, Italy, Cambodia and Kazakhstan.”

The two winners (main and newcomers) will be announced October 22nd.

Fondation Carmignac is pleased to present “Carmignac Photojournalism Award: 10 Years of Reportage”, on view from July 4 to November 1, 2020 at the Villa Carmignac on the Island of Porquerolles.