Exploitation of Natural Resources 02

This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of our long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the books reproduced here with a short caption, reading Davide Monteleone’s text, looking at his photographs, as well as Marco D’Anna’s disturbing shots featured at the beginning and end of this publication, the viewer will get a much clearer idea of the many problems and risks associated with the exploitation of oil and gas.

On the occasion of the 2023 edition of Photo London I will exhibit the first edition of “100 River Ob” at the stand of the Valeria Bella Gallery.

“The landscapes in Davide Monteleone’s images of China’s belt and road initiative are very familiar to me. We can see desert, uninhabited wasteland and views along the Yangtze River and in north-west China. There are also photographs showing the characters “Stay strong, Wuhan!” on skyscrapers in neon lights.

They are reminiscent of images I took in China, which captured dilapidated cities before they were rebuilt; energy plants; the development of impoverished areas and large-scale architecture. […]

Monteleone’s photographs are broad in scope and encompass many stories and strange landscapes. The Italian photographer began his project in Russia in 2014 before visiting vast rail and road projects across Asia; container ports; factories; casinos; and the Grand Renaissance dam in Ethiopia. The images clearly depict China’s strategic ambitions, very different from the original Silk Road, which operated from around 130BC until the mid-15th century. The Silk Road was a network of trade routes, whereas the belt and road initiative embeds a political ambition beyond commerce. The issue in question here is: who will be the centre of the world? Who will rise to world power?”

Ai Weiwei

“The landscapes in Davide Monteleone’s images of China’s belt and road initiative are very familiar to me. We can see desert, uninhabited wasteland and views along the Yangtze River and in north-west China. There are also photographs showing the characters “Stay strong, Wuhan!” on skyscrapers in neon lights.

They are reminiscent of images I took in China, which captured dilapidated cities before they were rebuilt; energy plants; the development of impoverished areas and large-scale architecture. […]

Monteleone’s photographs are broad in scope and encompass many stories and strange landscapes. The Italian photographer began his project in Russia in 2014 before visiting vast rail and road projects across Asia; container ports; factories; casinos; and the Grand Renaissance dam in Ethiopia. The images clearly depict China’s strategic ambitions, very different from the original Silk Road, which operated from around 130BC until the mid-15th century. The Silk Road was a network of trade routes, whereas the belt and road initiative embeds a political ambition beyond commerce. The issue in question here is: who will be the centre of the world? Who will rise to world power?”

Ai Weiwei

“While there has been concern raised in the West, recently, regarding a possible end of Globalization as we know it, Davide Monteleone’s long-term project investigates the immense efforts by China to reshape the global movement of goods, services and capital by an infrastructure initiative known as “Belt and Road” or “New Silk Road”, and by doing so tilt the geopolitical balance towards the East. However, there is a certain break between the economic and geopolitical processes at work and how they are manifested in the real world. Much of it remains simply invisible or is too all-encompassing to be pictured, which poses a challenge to an artist working in photography and interested in presenting us with more than the facts. But Monteleone finds intriguing images that back up his extensive research and rich data that informs his stunning photographs.”

After a year of absence, MIA Fair return to Milan between 7-10 October 2021. I will take part in the fair in two galleries this time.

“The project is an exhibition produced by the Alinari Foundation, and it is an archival history of the best Italian photography dedicated to our country: from the historical Alinari photos to contemporary new works.

As one of the shortlisted artists for Leica Oskar Barnack Award 2020, I have been invited to the group show “People and Place: Leica Oskar Barnack Award 40th Anniversary”, to be held soon at Shanghai Center of Photography.
A selection of images from my ongoing project, Sinomocene, will be on show from November 28, 2020

Fondation Carmignac is pleased to present “Carmignac Photojournalism Award: 10 Years of Reportage”, on view from July 4 to November 1, 2020 at the Villa Carmignac on the Island of Porquerolles.

The exhibition “The April Theses” can be visited at Photolux Festival till December 8, 2019.

Location: Palazzo Ducale, Cortile Carrara, 1 – LuccaHours: Monday to Friday 3 – 7:30 pm / Saturday and Sunday 10 am to 7:30 pm

For more than 15 years Davide Monteleone documented the events and the daily life in Russia and the former Soviet Union. Apart from many assignments and personal projects Davide Monteleone has collected a selection of photos, a sort of a personal diary, depicting his time in the region during these years. A selection of these small prints, part of his personal archive, is presented at the exhibition "Vento Dell' Est" at NONOSTANTEMARRAS in Milan.  In occasion of the last week of the exhibition (closing April 7th 2018) a selection of 30 prints 18x18cm  is offered on sale for a limited time. 

Quante possono essere le trame possibili in un racconto? E quante in un racconto visivo? Caduta e ascesa e il suo contrario, ossia ascesa con ricaduta. E lo scheletro delle tragedie classiche e shakespeariane: caduta, ascesa e ricaduta. Quella di Davide Monteleone è una trama appassionante che, con uno sguardo originale e un punto di vista molteplice, prende in considerazione le relazioni tra il sé e le mutate condizioni dell’esperienza umana. Tutte le sue fotografie cercano di stabilire confronti, misurare distanze, constatare fratture.

The project "One of..." will be exhibited in occasion of the MEDPHOTO Festival at Museum of Contemporary Art, Rethymno, in Crete from  13 January – 20 March 2018.